Danamaria Detrick Night Sledding
Being predominantly a guitarist, but not using guitar as the lead here, I wanted to incorporate it in a non-traditional, unexpected way. I went with an almost percussive accompaniment role for it, giving just a little bit of low-end to an otherwise treble-heavy piece for me (I didn't want anything to compete with the cello, so I left any sort of traditional bass completely off).
There's some odd layering and repetition that's staggered, but ultimately, all of those details don't matter. The story does.
In my mind's "painter's" eye, I wanted the light of the moon shining off of snow to be the source light for the children trickling slowly onto the cold slope. I wanted the crystalized crispness of the air to take the listener's face off-guard, freezing tear ducts and noses, raising scarves up just a little bit over their chin. Gradually, warmth builds between the body heat of multitudes of children huddling together in the repeated treks up and down the hill, and all discomfort is forgotten in the magic of the quick journey down, with laughing and distant barking and that indescribable sound of snowfall as the soundtrack.
In the end, there's one last child straggling back, heading toward home as the traces of precipitation are only faintly visible nearest the glow of the streetlight. The listener can sense that, in the lone child's mind, they are still playing out that last pass down the hill, and preparing for the next snowball fight as they will soon be snuggled under covers, heading off to dreamland. Or were they already there all along?
~Dana(maria) Detrick


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